Film Review: 1917 (2019)



  • Genre: War/Drama
  • Duration: 1hr 59mins
  • Directed by: Sam Mendes
  • Starring: George Mackay (Schofield), Dean-Charles Chapman (Blake), Richard Madden (Lieutenant Joseph Blake), Colin Firth (General Erinmore), Mark Strong (Captain Smith), Andrew Scott (Lieutenant Leslie), Benedict Cumberbatch (Colonel Mackenzie).
  • Background Score: Thomas Newman
  • Cinematography: Roger Deakins


1917 is a war film set up during the World War I, which revolves around the plot of how two young British Soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman), ventures into the enemy territories with a message for their fellow troops to stop a potentially catastrophic assault. The Germans’ had laid a trap by showing that they are on the run by a “strategic withdrawal”. In fact they are lying behind their new Hindenburg Line with huge artillery to stop the British planned push. These two young soldiers must reach their fellow comrades and halt the attack, a race against time and insurmountable odds.

Giving attention to the details and fluid cinematography that shifts from every angle to the other, the audiences are glued on the edge of their sit as the two soldiers move from one hellish environment to the other breathlessly. The cinematographer, Roger Deakins, effectively captures all the details of the sense of anxiety and discovery as our heroes’ move from one uncharted terrain to another. Be it the tripwire triggered by the rat in the abandoned underground German barrack, a distant dog-fight between two fighter planes that turn into a personal horror very soon taking Blake’s life or the single gunshot of the German sniper suddenly when there was silence and no one around is sure to take the audiences by surprise and make the film’s theatrical impact very legit.

It is the low-key moments that are more likely to amaze the audiences. Mendes succeeds in portraying the boyish face of this conflict, the young generation old or lost before their time. This is evident from Mackay’s eyes constantly searching for hope in that exhausting environment. He even hands over his canned food and milk that he had taken from the abandoned farmhouse to an infant whom he comes across a basement along with a lady. The lady requests him to stay back with them, but as soon as he hears the clock strike morning, his sense of responsibility compels him to resume his venture to deliver the message.
 
Another thing worth pointing is the presence of heavyweight names in the star cast by the names of Benedict Cumberbatch, Andrew Scott, Mark Strong and others, despite of not being the protagonist, did their very short roles with perfection. Throughout the venture the pulsating score of Thomas Newman intensifies the conditions of the no man’s land, the deserted trenches and farmhouse and bombing of churches and gives the film a complete theatrical presence of fear, anxiety, urgency and responsibility.


By Aniket Chakraborty

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